index of /何穎雅 elaine w.ho



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什麼是“記錄的動靜”? documentary gestures 18-Mar-2016 20# fine tuning
什麼是“交易的建構”? the architectures of commerce 12-Dec-2015 13# on production
什麼是“開放平台”? what is an open platform? 01-Aug-2014 14# moments of convergence
詞語 words 14-Jul-2016 36# txt/pdf
別處 elsewhere 01-May-2017 12# html
         
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版本 VERSION 1.0
____年出生于博伊顿海滩,现居上海和香港。她是一位时基艺术、都市实践及设计工作者,曾就读于____(休斯顿市)、____(纽约市)、____(阿纳姆市)和____(萨斯费村)。她是北京独立艺术空间____(2008-2013年)的创办人,近年她成为柏林____的特别研究生;2015年在为香港____活动中担任投稿者、编辑及协作艺术家。展览包括:____(柏林,2014年)、____(吉隆坡,2015年)、 ____(上海,2016年)。何颖雅平日好饮鸳鸯。

Elaine W. HO was born in Boynton Beach, currently lives and works between Shanghai, Hong Kong and Berlin. She works between the realms of time‐based art, urban practice and design, graduating in 1999 from the Art & Art History department of ____ (Houston) before going on to study design at ____ (New York), ____ (Arnhem) and critical theory and communications at ____ (Saas-Fee). She is the founder of artist-run project space ____ in Beijing (2008-2013), and has more recently served as a fellow at ____ (Berlin, 2014) and editor/contributing artist for the three-day embodied knowledge ____ spontaneous book event (Hong Kong, 2015). Exhibitions include: ____ (Berlin, 2014), ____ (Kuala Lumpur, 2015) and ____ (Shanghai, 2016).

Elaine likes to drink coffee and tea mixed together and is a frequent contributor to a disjunctured stream of thought known as ____.

版本 VERSION 1.2
Elaine W. HO works between the realms of time‐based art, urban practice and design, using multiple vocabularies to explore the micropolitics, subjectivities and alter-possibilities of an intimate, networked production.

The act of describing takes on a number of forms——a kind of grammar, a documentation, a gesture, a biography——or an experiment in Beijing known as HomeShop. She is the initiator of the artist-run space, active from 2008-2013, and continues to ask questions about the sociopolitics of syntax, more recently as editor & collaborating artist for the three-day embodied knowledge HK FARMers’ Almanac spontaneous book event (2015) and co-conspirator at Display Distribute, a nomadic platform investigating bottom-up organisation amidst global trade (2013-ongoing).

She likes to drink coffee and tea mixed together and is a frequent contributor at www.iwishicoulddescribeittoyoubetter.net.

作為一名時基藝術、都市實踐以及設計工作者,何穎雅的作品常藉著運用多維度的藝術詞彙,探索在現代社會中,人、空間和組織與日常生活之間微觀政治的纏綿關係。

她的创作不斷對社會政治體系的深層結構法則發出提問:2008年她发起"家作坊"項目,到2013年组织与进行在北京一條老胡同當中展开一个社区里的公开平台;近年她成為德國柏林空間實驗學院(Institut für Raumexperimente,2014年)特別研究生;2015年在為期三日將知識具體化的《香港農民曆》出版活動中擔任撰稿者、編輯及協作藝術家;及移動藝術-研究平台「展銷場」的共谋犯(2013年至今),研究自下而上的社會組織與「低端全球化」。何穎雅平日好飲鴛鴦。

Elaine W. Ho (HK/USA) arbeitet an der Schnittstelle von zeitbasierter Kunst, urbaner Praxis und Design. Ihr vielschichtiges Vokabular untersucht Möglichkeiten unterschiedlicher Mikropolitiken und Subjektivitäten einer intimen, vernetzten Produktion.

Den Akt des Beschreibens überträgt sie in vielfache Formen, — als Gesten, Dokumentationen oder Biographien. Diese finden sich wieder im Experiment HomeShop, ein von Künstlern organisierter Projektraum in Peking, den sie 2008 initiierte und der bis 2013 aktiv war. Fragen an den gesellschaftspolitischen Syntax lotet Elaine W. Ho in zahlreichen Kollaborationen aus. Darunter HK FARMers’ Almanac Buchevent mit Spring Workshop, Hong Kong (2015) und die nomadische Plattform Display Distribute (seit 2013), die Zwischenräume des globalen Handels und Bottom-Up Bewegungen erkundet.

Gerne trinkt sie Kaffee und Tee vermischt und veröffentlicht regelmäßig Beiträge auf www.iwishicoulddescribeittoyoubetter.net.


版本 VERSION 2.0 (致评选委员会 for the jury)
作為一名時基藝術、都市實踐及設計工作者,何穎雅的作品多藉由多維度的藝術詞彙探索微觀政治、主體性和基於親密關係之網結生產的能代性。她的藝術勞動曾經出現於:多瑙河上的一艘叫Eleanore的船(林慈,2016年)、上海當代藝術博物館(2016年)、廣東時代美術館(2015年)、Spring工作室(香港,2015年)、新國家博物館(柏林,2014年)、泰特现代美术馆(倫敦,2014年)、家作坊(北京,2008-2013年)、各種街頭,等。

近年何穎雅也成為移動藝術-研究平台「展銷場」的共谋犯,研究自下而上的社會組織與「低端全球化」。她平日好飲鴛鴦。

Elaine W. HO works between the realms of time‐based art, urban practice and design. She received a bachelors in Art and Art History at Rice University, thereafter continuing to broaden her fields of inquiry through fashion design (Parsons School of Design, 1999-2001; Academy of the Arts Arnhem, 2001-2004) and critical theory and communications (European Graduate School, 2007-2010). These extended forms of learning created the basis for HomeShop (Beijing, 2008-2013), the artist-run project space founded by Ho and self-organised as an experiment in collaborative learning amidst the aporetic spaces of contemporary Chinese socialist capital. She continues to explore such questions through writing, performance and time-based installation, most recently by way of collaborations with the Institut für Raumexperimente and Display Distribute.

Recent work has been presented at the Power Station of Art (Shanghai, 2016), Guangdong Times Museum (Guangzhou, 2015), Spring Workshop (Hong Kong, 2015), Neue Nationalgalerie (Berlin, 2014) and Tate Modern (London, 2014), among others.

13-Mar-2016
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CV [EN]
简历 [CN]
  獎狀與基金 grants and awards
2016
12#
  教學 teaching
2011
02#
         
聯繫 contact - 01# e-mail
         


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